what to draw when bored 3d eagles
In the previous parts of the series nosotros learned how to tame the pencil and mastered hand-heart coordination. I hope I gave yous enough time to practice these lessons! Today I'll nowadays yous with a serial of exercises that are a continuation of the topic, and for some of you lot it may just exist the start of "truthful drawing"—creating things instead of redrawing them.
I've explained the philosophy and mechanism of drawing from imagination in this article, so here nosotros'll go straight to the meat. Before starting the lesson, make sure you have read the article and expert the previous exercises long enough!
What There Is to Learn
Permit's ascertain our goal before starting the exercises. Please read the annotate I got under the Stage 2 tutorial:
I cannot draw , I really can't only this exercises are easy for me. I tin can draw ten lines of aforementioned length and some dots in equal altitude and can't imagine someone who may find them hard.
This is very interesting, isn't it? He can't describe, merely actually he can. The problem hither is about definition. Nosotros've already divided the skill of drawing into four stages, here presented in a simplified way:
- Cartoon—making marks
- Drawing—controlling the marks
- Drawing—creating marks resembling real things
- Drawing—creating marks resembling real things in an unreal manner
They're all virtually existence able to draw, but each of them is based on a completely different fix of skills. 2 people saying "I can't draw" may have two unlike things in mind, and they also may need different exercises to overcome their bug.
The first ii stages are technical ones. They're not about imagination or inventiveness, but about the activeness of cartoon. The other 2 stages include the creative chemical element—yous utilise the technical skill of cartoon to present the visions you have in listen. People use various media for it, like music or poetry, but if your ideas accept a visual form, drawing seems to exist the virtually proper way.
All the same, even mastering the technical skills doesn't guarantee you'll exist able to draw what you lot desire. Here's where the technical part of the skill actually ends, because drawing from imagination isn't about being able to do something, simply rather nigh understanding what you should practise.
If you can draw anything from a reference perfectly and accurately, but you can't draw from imagination, it doesn't hateful you tin can't draw—you're actually very practiced at drawing! The problem is in what you're trying to draw. In instance of a reference, y'all know exactly what it is, with every single line correct before your optics. Just imagination doesn't work this way! You can "see" the face of your friend very clearly in your mind, but if I enquire you what the colour of their eyes is, you'll be lost.
Learning to draw from imagination is therefore not then much almost drawing, but rather well-nigh getting to know the things you desire to draw. Yous know how to cook, merely you need recipes to cook anything. With time you'll exist able to create your own recipes, simply showtime you need to learn what they wait similar!
One last warning: in these exercises information technology's assumed in advance that you don't have any problems with copying references accurately. If that's not true, go dorsum to the previous part, or, if it's too deadening, practice copying references until information technology's like shooting fish in a barrel. Otherwise it will exist very confusing to you, trying to use the recipes without knowing how to plow on the oven!
How to Learn
This lesson will exist dissimilar from the previous ones. Y'all are not a strict beginner any more, so yous should be able to work more independently. These exercises also take a dissimilar structure than "do it until information technology'southward tiresome". Here's how long you should do the exercises:
- 1: Until you understand the concept
- 2, iii, 4: Until you're able to draw the forms without bigger endeavor and obvious mistakes (obvious mistakes are the ones you see right after making them)
- 5: Until y'all work out a ready of lines you lot can replicate in a fast and effortless way
- 6: Until y'all are able to brand information technology accurately on fourth dimension
- 7: Until you find a set of forms you lot can replicate in a fast and effortless way
- 8: Until there'southward nothing surprising to y'all in the topic (long-term exercise)
- ix: Until information technology'southward automatic for y'all (long-term exercise)
- ten: Until you lot tin draw the topic accurately without seeing any reference for a long time (long-term practice)
Often you'll run into me asking you to go dorsum to a previous exercise if something doesn't piece of work as it should. Don't feel bad about this. Sure, it would exist great if it went smoothly, but information technology'south better to come across the mistakes and go to fix them than non to know why it looks bad and to pretend it doesn't. The structure of this lesson is hierarchical, which means that an uncorrected fault from one do will haunt you in some other. Don't let it!
1. Understand the Concept of Depth
Fifty-fifty the word itself, "perspective", brings chills. Architecture and a thicket of carefully measured lines comes to heed immediately. However, that'due south non what perspective is about. Perspective lets usa imagine what an object we find in one position will expect similar when rotated or moved. Therefore, information technology can't be avoided if yous desire to describe from imagination!
When drawing from a reference, yous don't need to intendance about perspective. All you want is already at that place. Just if you try to draw from imagination, information technology'southward usually unbelievably difficult to get any position right except that "default", side-view one. Talented people oftentimes stop here and master drawing this one default position, because it's the only one that they tin can draw. And they have no thought that what they can't depict, they can learn!
Drawing only one position is similar adding the same seasoning to every dish. No affair how universal and tasty it is, with time information technology'll become ho-hum, and even the near interesting ingredients won't brand your cooking more exciting. As well, in that location's a deviation between adding the seasoning because it fits there, and adding it everywhere because you don't know how to use any others.
At that place are ii ways you can go now. I've written ii articles about perspective: a theoretical one and a practical one. You should read at least the first one, merely if information technology'south too confusing, you can try another way. Make your own analysis—go a small box and motility it before your eyes. See what happens when yous motility it up, down, to the sides, to the front and back, and when you rotate it. Try to detect the rules in it, and make notes for afterward.
ii. Get to Know the Ingredients
In the previous parts you've been practicing lines, but the trouble with lines is that they're very simple to use, and very hard to retrieve. It makes them useless when it comes to drawing from imagination—they have too many forms.
To make information technology easier to remember, we need to carve up all these forms into a few simpler blocks. It's but like writing: an illiterate person could copy all the lines, forth with the style of the messages, while a literate person will copy the letters—not the lines, but rather the idea of them.
In this exercise you'll larn the messages of cartoon. It's extremely important to sympathise it. There's even a hazard that if you practise, the other exercises volition be almost obvious to you. Pay all your attention to it, and think: if you spot lack of control at any point (eastward.one thousand. an oval doesn't expect like you wanted), take a break from this exercise and exercise precision for a while.
Using the rules of creating depth, practice drawing the forms. They don't demand to be 100% authentic in terms of perspective—all you need are well-defined sides. You should exist able to tell where the front, dorsum, elevation, lesser, and both sides are, which of them are visible, and which are blocked from the view.
You don't need to be overly careful nearly the shape, simply make sure you can keep the lines equally make clean as possible without an eraser. Overusing lines indicates lack of confidence, and peradventure also skill. If you run into y'all're overlapping the lines also much, go dorsum to previous exercises.
Step i: Ellipsoid
This form is similar to a sphere, simply instead of having a circle in a cross-section, it has an ellipse. It works dandy every bit a base of operations for a torso of live creatures.
Step ii: Cylinder
A cylinder is like a 3D form of a line—a line with book added. Information technology's perfect for constructing limbs.
Pace three: Box
Though boxes don't seem also organic, they detect their identify in some parts in the body, for instance in fauna hips.
3. Modify the Letters
Information technology would be nice if all we needed were those three letters to build everything, right? Bad news—it'southward not enough; proficient news—all the other "letters" we need tin be created on the base of operations of these three.
In this do, allow yourself accept some fun with these basic letters. Imagine them as material forms, and do something to them. Squeeze, stretch, bend... The betoken is to understand the perspective of them, no matter what you do. Again, if information technology'south too hard, go back to practicing perspective. Don't scold yourself, be patient—there's no hurry!
4. Draw Simple Structures From Imagination
Fourth dimension to describe something from imagination! No, not dragons, not yet. See if y'all can imagine a simple structure built of all these forms you've adept before. So draw it, just not only one time. Rotate it in your mind and draw information technology once again. Brand certain you are able to proceed it consistent, that at that place's not much luck to this. You don't desire to base your skill on luck!
5. Notice the Rhythm of the Object
We're going to be more specific from at present on. Choose the topic you're interested in. Remember: you tin can't learn how to draw, let'due south say, animals from a single practise. An eagle is not any more like to a scorpion than to a chair—the name "beast" the eagle and the scorpion share doesn't make them the same affair. Some groups of animals are, indeed, like, just it may be deceptive. Lions and wolves are similar, but if they could exist drawn the same way, they wouldn't be different animals!
And so, exist specific. If you want to draw animals, you tin pick a king of beasts. It'due south anatomy is well-understood, there are a lot of photos of them on the Internet, and they as well share a lot of features with most of the animals you lot may want to draw, like wolves or even horses. And if yous want to depict dragons, they're still a adept choice, as long equally you imagine your dragons existence more than similar to dinosaurs than to lizards.
Step 1
Gather a set of references with different poses of your chosen animal. In the case of lions it's better to choose females or young/neutered males, since the mane often covers important anatomical details.
My favorite way of getting a whole set of references in an instant is using Google Images. To go accurate results, try to be specific in your query: "lioness walking/running/hunting/playful" is better than just "lioness". For a warning: stay alarm, Google isn't always right about what has been labeled equally "lion".
Pace 2
Await at all the references and try to detect the common rhythm in them. These are all very different poses, in various perspectives, but there's something they all share. Find these elements and sketch them using equally few lines as possible. These lines should be easy to lead—no details, no fixing. You should exist able to draw them fast, at to the lowest degree after you work them out. Keep the scale modest—this way it'll be easier to continue the proportions correct.
If you find it as well hard, it may be helpful to take a look at the skeleton of the beast and to try to see information technology in the live trunk. Recollect: your sketches don't need to look similar mine. They should be the result of your analysis and understanding—copying me will only make information technology harder for y'all in the future.
half dozen. Do the Rhythm
Stride 1
Time to test your "rhythm lines". They should be piece of cake to describe, and they should build a whole silhouette in a very economical mode. In order to check whether they do, use this online slide-show maker. Employ the same query as previously, adjust the advanced options if necessary (if you lot don't desire surprises, ameliorate select Strict SafeSearch), and when the slide-evidence starts to run, check "very slow".
Y'all tin can also utilise any gallery on deviantArt for this purpose, if you prefer a specific choice of pictures.
Step 2
Ready, set, go! Depict the rhythm lines of the slide you are presented with as fast as possible. Don't worry if you can't catch up at the commencement; your goal here is to arrange the rhythm lines you've worked out to the speed. Simplify them on the fly and treat it as a challenge, not a competition.
However, if y'all experience yous are really unable to do it, slow down. Suspension the picture, describe it equally fast as you can, and then switch to the next one manually. Draw a few of them this fashion, then effort to continue with the timer. If at that place's still not plenty time for you, go back to the previous exercise—maybe there'south some other rhythm you'll like better?
Feel free to skip the inaccurate slides, and if some picture grabs your attention (if it'southward an interesting pose), you tin can as well suspension the presentation to work longer on it. Don't overuse this function, though!
Step iii
When you finally grasp it, and you tin sketch every moving-picture show in seconds, you can plow to drawing from imagination. It's all-time to do this exercise right after the former—your hand and mind are warmed up and focused on the topic.
Draw a few of the poses from memory, and a few imagined ones. Don't restrict yourself to simple ones; go crazy! Is it easy for you? Great! You tin can proceed. If not, go back to Stride ane. This time you can choose some other query; e.thousand. if you used "lioness running", now utilise "lioness sitting". The more diverse poses you draw, the harder they'll get imprinted in your mind.
7. Discover the Recipe
Once you tin sketch every pose from imagination in seconds, make clean without an eraser, y'all're ready to construct the recipe for the body.
Step 1
Again, search for references for your topic, just this time be more selective. Choice only few of them, but each presenting the pose in the way that others can't. Effort to find i for a clear side, one for front view, and optionally, for the back and superlative of the body.
Pace 2
Print the references with a lower opacity. You tin can modify them in Photoshop or any other graphic software, or make the impress more faded with your printer's options. Feel free to utilise black and white impress.
Step iii
Expect at all the references, and compare them to a diagram of a panthera leo's muscles. Imagine the body stuffed with uncomplicated forms we have been practicing before. How could you build something resembling the body out of the smallest number possible?
Use your pencil or a ball-pen to draw the forms direct on the references. Make them consistent on all the pictures—these are 3D forms and they should follow the perspective of the poses. Arrive as accurate every bit possible without using also many forms.
If your sketches become messy, print the fix of references one time more. Take your fourth dimension, because this is a very important step!
Hint: if you happen to have a decently realistic figurine of the brute, incorporate information technology in your analysis. At that place'southward nothing better than a 3D model when it comes to understanding the course of something!
Step 4
Go back to your sketches from exercise 6. Use your "body schemes" as a reference, and put the 3D forms on the "skeletons". When doing this, don't be agape to simplify and alter the structure. Your scheme should allow you to quickly build the impression of a realistic animate being without leaving much to the imagination, but besides without redundant details.
Step 5
Again, apply a slide-show of your choice and start sketching, this fourth dimension using both the rhythm and the trunk. At this point it should be easy for you! If it's not, make sure that the bodies you lot're drawing have all the necessary lines, but non a line more than. Await for shortcuts; see which lines can be connected into one and which you tin skip.
8. Add the Spices
This exercise is the slowest ane, without a clear end point. Your goal here is to perform a thorough assay of the details. Sketch the eyes, olfactory organ, ears, whiskers, mouth, teeth; analyze the folds of fur, parts of basic visible under the skin, the direction of hairs on the whole torso. Apply good quality references for it, and never stop with one.
Details have their own drawing shortcuts, too, merely this time yous need to be more careful in creating them. Any mistake in the proportions will be clearly visible, so sometimes it'south better to exit the sketch unfinished than to decorate it with misunderstood details.
9. Practise, Practice, Practice!
After all these exercises get predictable and irksome, you tin start the exercise that'south supposed to imprint this knowledge in your mind for longer. At this point it should be easy to do—if information technology'southward non, well, you know the drill.
Plow on proficient music, or an audio-book, or any y'all like to listen to when doing something mindless. Use a huge set up of references and sketch them all, one by one, quickly and finer. Your task for the twenty-four hour period is done once you realize y'all're thinking about something else and you're sketching automatically—that the sketches start to plow out without whatever conscious endeavour from your side.
ten. Test the Imprinting
The trouble with memory is that information that'due south not used quickly gets discarded. It's quite common to be able to describe miracles later on one twenty-four hour period of grooming, and return to the level of a preschooler a few days afterward.
To make sure the information stays in that location, you need to convince your listen that you need it. And to do this you merely need to use this information regularly. Every human activity of conscious recalling works similar a refresher of the data. Information technology's equally if in that location'due south a path betwixt your memory and your consciousness, and the more than y'all walk it, the better it'south fit for walking. But stop using it for a while, and the path will disappear under the grass and weeds.
These exercises are purely about drawing from imagination. If you lot've been practicing lions, describe them now without any reference. Use all the poses you tin think of: hunting, jumping, sneaking, lying with its paws up... Brand sure you're non guessing—that you're taking all the information needed correct from your memory. The oftener you practise this, the more accessible this information will be in the futurity.
And if you realize that you lot must guess something, because you forgot it or never learned it at all, feel free to employ a reference to learn this. It's not cheating—learning is a abiding process, and being able to describe a lion from imagination doesn't hateful you'll never find any of the poses problematic. With time, though, there will be fewer and fewer of these, if you really focus on the topic.
What Now?
Oftentimes I see people lament they can't draw from imagination. I'm sure that afterward doing all these time-consuming exercises you understand the applesauce hidden in these words. Drawing from imagination isn't an ability that you have or not. Information technology'southward a skill, and information technology's a multi-dimensional 1. You may be able to draw lions from imagination, and wolves may still exist a mystery to you lot.
You need to decide what you want to be able to depict from imagination. Each topic will swallow a lot of your time and energy, and everything you learn volition also require regular practise from you to keep it in good shape, and so choose wisely. Yous don't need to larn information technology all!
I have ane more task for you. Whenever you hear someone saying, "I can't draw from imagination—I know what a lion looks similar, just when I try to draw information technology, information technology looks like a mess," explain to them why that is. Knowing what a dish tastes like doesn't mean y'all can cook it without a recipe! If they actually desire to learn, evidence them the way. Together we tin can root this dangerous myth out!
Source: https://design.tutsplus.com/tutorials/how-to-learn-to-draw-stage-three-visual-database--cms-24325
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